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Posted by Ta-Nehisi Coates

Last week there was some debate acros the blogosphere about Race and IQ (again) much of springing from the controversy of Jason Richwine's dissertation--"IQ and Immigration Policy." You can read my thoughts here, here and here. One helpful critique made of these posts by Razib Khan held that they could use more science. Razib added some of that in his own post which was rooted in this paper--"Characterizing The Admixed African Ancestry of African Americans."

I read the paper, understood most of it, but was basically lost trying to understand the graphs. (It's true that my math and science foundation is fairly weak.) So I read it again. Still not quite getting it, I reached out to one of the authors--geneticist Neil Risch, who directs the Institute for Human Genetics at University of California San Francisco. Professor Risch agreed to chat with me via e-mail. He also sent me these two papers("The Importance Of Race And Ethnic Background in Biomedical Research" and  "Assessing Genetic Contributions To Phenotypic Differences Among 'Racial' and 'Ethnic' Groups") which I found enlightening and would urge everyone to read.

I want to thank Professor Risch for his time. Our conversation is below.


Thanks for agreeing to talk with me Professor Risch. I've been involved in a good number of conversation around race lately--specifically regarding race and IQ. I was referred to a paper you wrote with some co-authors on the African ancestry of African-Americans. My science background is not particularly strong, and I'd like to bring more science (and less humanities) to my readers on this topic.

Let's start with the dumb and simple questions first. In your paper "Characterizing the admixed African ancestry of African Americans," we see a chart (Figure 1) depicting a Principal components analysis of Africans, U.S. Caucasians and African Americans. For the less mathematically literate among us, can you explain what we're seeing?

In reference to Figure 1, there are primarily 2 different types of analysis we used.  Both are based on genetic information.  As you have probably read, everyone has 23 pairs of chromosomes, 22 of which are autosomes and one pair is the sex chromosomes (X and Y).  Most of that sequence (about 3 billion nucleotides) is identical among individuals, but there are millions of locations where people can differ.  In our analysis, we focused on about 450,000 of them.  Modern technology now allows us to get a pretty good look at DNA sequence variation among individuals.

The two analyses we used were admixture analysis  and principal components analysis (PCA).  The first figure shows results of both.  What we attempted to do in the bar chart (the admixture analysis) was to estimate for each African American in our study, what proportion of their genome derived from different population groups.  In this case, we were focusing on potentially different African subgroups, but did not focus on possible European subgroups.  In theory, we possibly could also have done the latter, but because the proportion of ancestry in this sample that was from Europe was not large, that would be more challenging.  Our ability to do this analysis depends on how much genetic differentiation there has been between the possible ancestral groups included in the analysis (e.g. the Mandenka, Yoruba, San, Mbuti and Biaka, as well as Europeans).  I should be clear that these represent current day populations, and are only possible surrogates for the actual ancestral groups.

That differentiation is depicted in the rest of that figure (the dots with population labels) - which was the result of the PCA.  In PCA, you define a few variables that explain the most variation in the data (in this case it is the genetic information).  It is a data reduction procedure - in other words, to reduce the information in 450,000 genetic markers to just a few variables.  Here we present the first two such reduced variables that explain most of the variation.  As you can see, the Europeans and Africans are very well separated on the X axis while the African subgroups are well separated on the Y axis.  This separation is what allows us to estimate the proportion of ancestry in the African Americans from each of these groups.  You will notice that the African Americans (purple triangles) fall on a line between the Yoruba/Mandenka and the Europeans.  This indicates that they have mixed ancestry that is both African and European.  The broad spread of the purple triangles along the X axis indicates that individual African Americans in this study vary quite a bit in terms of how much of their ancestry is African and how much is European. You can also see that the majority of the African ancestry is Central-West African because of the approach on the X axis towards the Yoruba/Mandenka.  If there were a substantial amount of ancestry from the other groups, you would see the line going more horizontally and less to the upper right.   

 The actual proportions of ancestry are then given in the bar chart.  Here again, you can see the varying amount of European ancestry.  It is also confirmed in the bar chart that most of the African ancestry is Central-West African.

 You can also see in the bar chart that compared to the European ancestry component, there is much less variation in the different African subgroup components of ancestry - in other words, there aren't some individuals who have much more Yoruban ancestry and others that have much more Bantu ancestry.  This is why we concluded that it is likely that mating patterns in African Americans probably did not strongly reflect actual origins in Africa.  And that is also the reason we concluded that because most African Americans appear to have admixed African ancestry, looking only at a single genetic location (e.g. the Y chromosome or mtDNA, as often done by ancestry companies) gives only a  narrow picture of the entire ancestry.

 Subsequent figures in the paper pretty much reinforce these conclusions.


OK, so that helps. A lot. Here is another question. I want to know what someone with your background thinks about the notion of "race." As a writer, I approach this through the lens of history. I imagine, because of that, I might be missing some things. I want to know, as a geneticist, whether you think of African-Americans as a "race?"

I believe it is inaccurate to refer to African Americans as a race or racial group (much like it is similarly inappropriate to refer to Latinos that way) - unless you move away from the more classical definitions of race.  We try to use the term race/ethnicity.  There has been a lot of debate about whether genetic variation in the human population is continuous or discrete.  From my view, it is both.  This is what makes it challenging to create categories.


One question pops out at me. You indicate some suspicion to referring to African-Americans as a "race" but (in some of your research) you support using "race" in terms of collecting med data and disease studies. Is this a case of a definition--though it may be imperfect, clunky and at times even misleading--still telling us something, From what I gathered from those articles "race" can be a proxy not just for genetic stuff, but for social phenomenon too (such as access to health care.) Am I seeing that right? Is it correct to say, for instance, "Yes race is a social construct, but this does not make it meaningless." It still useful to look at "race." for instance, when studying sickle-cell. Perhaps some day, when we have more refined technique, it won't be. 

Definitions can indeed be "clunky." I would use the phrase race/ethnicity rather than just race because in common parlance it is a better description.   I tend to think that race has been used more in terms of continental origins (Africa, East Asia, Europe, Americas).  On that basis, one would not characterize African Americans as a racial group, but rather as an ethnic group.  We sort of implied this in the Genome Biology paper.  The reason is that African Americans typically have European as well as African ancestry (and possibly other ancestries as well) and are also culturally distinct from Africans.  Sort of similar to Latinos - who from a genetic ancestry standpoint can be nearly anything.  Hence our use of race/ethnicity.


Just to opine a bit, I think part of the problem is the notion of a causal relationship--I.E. "dark-skin" or "blackness" causing sickle-cell, as opposed to a more geographic definition that might encompass people regardless of dark-skin.

Yes, exactly.  Groups living in isolation from each other for long periods of time have acquired many genetic differences.  The large majority of those are due to "genetic drift" - i.e. random fluctuations in gene frequencies.  That also includes many genetic variants that code for traits and diseases.  But then there are some genetic variants that differ in frequency due to differential selection pressure in different environments.  The best examples are for genes that confer resistance to malaria.  One of those causes sickle cell disease in those who carry two mutations; those who carry one copy have sickle cell trait, which is generally benign but confers greater resistance to severe malaria infection.  Mutations for sickle cell disease are found at pretty high frequency in some African populations, but also found in parts of the middle east and India.  Beta thalassemia is another disease where carriers are offered greater protection from malaria.  This disease is more common around the Mediterranean (e.g. Greeks).  

Then there is G6PD deficiency.  Mutations for that are found at increased frequency in parts of Africa, but also in the Middle East.  The mutations underlying these disorders generally differ geographically, which is another indication that while the mutations are different ancestrally, they achieved high frequency in different populations for similar reasons (i.e. resistance to malaria).  Another more recent example is a gene called ApoL1.  There are a couple of genetic variants found in West Africans (and African Americans); when carrying two of these, there is an increased risk for kidney disease if hypertensive.  It was shown that these variants likely provide some immunity from African Sleeping Sickness (tsetse fly disease) which may have led to them becoming more common where the disease is prevalent. 


Various populations have an increased frequency of genetic diseases, which are often unique.  Probably a lot or most of it is just chance, but perhaps not all of it.  Proving historical selective advantages can be pretty challenging. So, as I mentioned above, groups living in isolation developed their own genetic (and cultural) profiles.  Generally, there is no cause and effect between the traits that differentiate groups.  East Asians have dark hair and eat with chopsticks.  But there is no causal relationship.  You can use a whole variety of different traits to place individuals into the same categories, but those traits may have nothing to do with each other etiologically.

I often hear people say that Africa has the highest genetic diversity in the world. What does that practically mean?

If you sequence the genome of an African individual (pretty much from anywhere except North Africa), you will generally find more locations in their DNA that are variable than for any non-African individual.  Why is this the case?  Population geneticists believe that the world outside of Africa was initially populated by humans who migrated out of Africa.  The presumption is that if the number of such individuals migrating was small, then some of the genetic variation was lost in the process.  As I described before, genetic drift (fluctuation in allele frequencies) can happen when a population is small.  The random fluctuation means that some alleles increase in frequency and others decrease.  The ones that decrease may be lost altogether.  You tend to find that the amount of genetic variation decreases along the migration routes out of Africa (more or less by distance from Africa, but of course population bottlenecks can also happen anywhere along the way).

What is the impact of this?  As I mentioned before (and above), random fluctuations in allele frequencies can mean that rare alleles that create risk for a disease may increase in frequency, by chance.  So some diseases may become more common.  But the flip side is that some diseases may also become less common.

One last question. Your paper on assessing genetic contributions to phenotype, seemed skeptical that we would ever tease out a group-wide genetic component when looking at things like cognitive skills or personality disposition. Am I reading that right? Are "intelligence" and "disposition" just too complicated?

Joanna Mountain and I tried to explain this in our Nature Genetics paper on group differences.  It is very challenging to assign causes to group differences.  As far as genetics goes, if you have identified a particular gene which clearly influences a trait, and the frequency of that gene differs between populations, that would be pretty good evidence.  But traits like "intelligence" or other behaviors (at least in the normal range), to the extent they are genetic, are "polygenic."  That means no single genes have large effects - there are many genes involved, each with a very small effect.  Such gene effects are difficult if not impossible to find.  The problem in assessing group differences is the confounding between genetic and social/cultural factors.  If you had individuals who are genetically one-thing but socially another, you might be able to tease it apart, but that is generally not the case. 

In our paper, we tried to show that a trait can appear to have high "genetic heritability" in any particular population, but the explanation for a group difference for that trait could be either entirely genetic or entirely environmental or some combination in between.

 So, in my view, at this point, any comment about the etiology of group differences, for "intelligence" or anything else, in the absence of specific identified genes (or environmental factors, for that matter), is speculation.

    


Fandom: Stargate Atlantis
Characters: The AR1 Team - John, Rodney, Ronon and Teyla
Content Notes/Warnings: none
Medium: traditional art
Artist on DW/LJ: astridv on LJ / on DW
Artist Website/Gallery: On DA
Why this piece is awesome: This is a wallpaper the artist made from a panel in the comic "The Long Way Home" (which has I think already been reccd). I love astridv's art, and this has great composition and colour, also they're holding hands. What's not to love? For the current "teamwork" prompt.
Link: art post here on DA and the full-sized version is here
Colds, flu, infections, insect-borne pathogens. Poisons, curses, spells.

Chills, sweats, delirium, hallucinations.

Huddling for warmth. Cool cloths. Unanticipated handsiness.

Delirious confessions of love. Confessions of love while the other person is unconscious.

Repressed memories rising to the surface.

The possibilities are endless.


BC running hot banner


A few ground-rules: (note that there are few additions this year)

01. Prompts should have fever as one of their elements (or as an implied part of the prompt, like “appendicitis”). Other than that, be as inventive as you like about the causes and effects of said fever. This is a multi-fandom meme. Prompts involving any characters from any fandom are welcome. Crossover prompts are welcome. RPF/ RPS is also welcome.

02. This post is mirrored on LJ /DW. You may prompt where you like and post where you like. That is, you can take a post from DW and post it to LJ and vice versa--just write FILLED in your subject line when you post a comment with a fill, and, if possible, link to the original prompt. The masterlist will cover both sites.

03. Comment to this post on either LJ or DW with your desired fandom, characters or pairings, and a prompt. All genres/pairings are welcome. You can also state your desired rating, though you don't have to (some people like sex with their fever fic, some people don’t, even for couples--some people don’t care)
Example A: “Hawaii Five-O. Team or Steve/Danny. Steve has a bullet wound that gets infected. Ninja SEAL that he is, he refuses to take it easy, making problems for the team as they try to track down an arms dealer. Any rating.”
Example B: “Supernatural: Sam/Dean. Dean has the chills and there is cuddling. R and higher rating, pls.”

04. You can leave as many prompts as you like, but one prompt per comment, please. If you've got a few, comment with each separately.

05. Your prompts can be as short or as detailed as you’d like.

06. Scroll through the comments and when/if you find a prompt you like, write a fic in reply to the comment.

07. More than one comment-fic response to a prompt is totally acceptable, and in fact encouraged. The more fic, the better!

08. Art submissions are very much accepted too!

09. When replying to a prompt with your comment-fic, put ‘FILLED’ in your subject line and then anything else you want, ie: a title if you have one/part numbers/rating. It’s not a big deal if you forget this step, but it will make it easier for people to find your fic, and for me when I’m compiling the masterlist. Consider including warnings if the fic features non-con or non-canonical character death.

10. I have enabled anonymous posting, but I am screening anonymous comments, and I won't unscreen anything rude or disrespectful of authors, characters or prompts. I also reserve the right to delete named comments that are rude or disrespectful.

11. NO SPOILERS for unaired episodes, please. If you're prompting something from a recently aired episode, please be courteous and note that there may be spoilers before you get to the main part of your request.

12. Likewise, no character bashing, or rudeness in general.

13. Do feed your authors! They’re awesome.

14. If you want to advertise this, that’s fantastic! It would be really appreciated. There are some banners here, but if anyone feels like making more for newer fandoms, that would be awesome.

FAQ:

•Yes, if your fic gets too long for a comment-fic, you can comment with the link to it at lj/dw/AO3.
•Because it bears repeating - yes, art is more than welcome as well as fic.
•As for a timeframe - this post will be open for prompting at least until June 17. There’s no exact timeframe, because I play it by ear and don’t close it until I see it’s starting to slow down. In any case, it will stay open indefinitely for new comment-fics and comments/feedback.

Any other questions? Feel free to PM me.

Lovely banner by [personal profile] norgbelulah. Thanks to [community profile] hoodie_time for letting me borrow its excellent rules.

Here are the master lists for 2011 and 2012 if you want to do some reading to get in the mood!

Here is a handy and sensible guide to fever in adults -- but, hey, it's fic, realism is always optional ;)

NB: There is an AO3 collection for Running Hot. If you want to post a fic your write to the collection, just follow the link and click on "post to collection." If you have a fic on AO3 you wrote last year for the meme, you can edit the "does this belong to a collection" box to have it added to the Running Hot collection.

PROMPT AWAY AND HAVE FUN!
badgerbag: (Default)

extra room in Concourse gov. club

May. 23rd, 2013 10:23 am

I mixed things up and now have an extra room at the Concourse hotel that goes through Monday night. Anyone want it? quick, email me at lizhenry@gmail.com :)
freece's announcement.

ETA: forgot the most salient point: the free online version's going away, so best check it out while you still can.

The major take-aways for me:

* no more serialized publication :(
* but since she's getting paid to write full-time, vol. III will, hopefully, be here much sooner :D
* I continue to be impressed how cleverly and gracefully she's managing the work. She's been great at cultivating her audience; I can well imagine how she argued with the Penguin reps re. the power of internet word of mouth and not letting that well dry up, heh. Still, I don't doubt some people will be grudgy.
* I'm apprehensive about the publisher's marketing, but otoh, it's neither here nor there because in the end, I get the words on the page.

* self-evident to us, maybe, but a major publisher recongizing there's a solid market for m/m? What's the precedent?

(Interesting how this is almost diametrically opposed to the Kindle Worlds news on several axes, not least of all the fact that original slash like CP seems, genre-wise & in terms of creative freedom, closer to actual fanfiction than the regulated media tie-in novels of the Worlds model... but eh, definition games.)
There are a lot of things I like about Amazon. There are a lot of things I like about my Kindle! But boy, howdy, am I not delighted about this Kindle Worlds nonsense.

Here are excerpts from a few smart posts I've read on this recently:

First, [personal profile] liviapenn:

So there's this new thing that Alloy Publishing is putting out called "Kindle Worlds" where they have licensed certain properties and they're going to allow people to basically write tie-in novels, sell them, and keep a certain amount of the profit (based on word length.)

Here's the first reason it's completely bullshit.

I keep seeing people saying "you'll get 20% to 35% of the profit. And that's better than nothing!" (Well, sidebar: I don't get "nothing" from writing fanfic. If you're not a fanfic writer who shares their fic with a community of readers, it would take me another two thousand words to explain what you *do* get, but trust me. It isn't nothing.)

And you're not getting "twenty percent." You're getting twenty percent of the NET. There's a difference...

That's her post Two really good reasons why Kindle Worlds is bullshit.

The other post is from [personal profile] rivkat:

the internet grew to its present point in a context in which it was much easier to go from inventing fan fiction in your own bedroom to finding a community of people who’d made the same invention than it had been when you had to find a convention or a round robin or the like. I’m skeptical of Golden Age thinking, but at the same time I do want to make sure that people who find fandom through places like Amazon can also easily find some non-walled gardens to play in...

That's her post The fandom is political. She also cites some good questions from Letters From Titan:

Question 1: To what degree does Kindle Worlds suggest that the fanfiction can only be legitimized through the eradication of fan culture’s gift economy?
Question 2: Fanfiction has significantly changed our media culture. Kindle Worlds isn’t just capitalizing on it, but arguably represents an attempt to shape it. Is this a feedback loop in action or an attempt to stop the catalyst that is fan work?
Questions 3: The contractual terms of Kindle Worlds are the sort traditional professional writers would be strongly advised against signing on to. Is fannish work worth less? Should it be?

Find the rest of that post here: Kindle Worlds: Not bigger on the inside.
I fully admit I haven't had a chance to look into this myself due to relentless Toronto busyness, so it's possible there's an obvious answer that I just haven't come across. But since Yahoo bought Tumblr, I've seen a few people mentioning the possibility of backing up their Tumblr archive, but with no specifics. Do any of you know if there's a solid way of doing a Tumblr backup, or are the technically-minded members of fandom still collectively looking into it?

A meme, via [personal profile] chomiji (although replies will be a bit slow in coming, due to Toronto):

Ask me about my top five anythings, food, activities, fandoms etc. Go ahead!

Toronto continues to be as hectic as always. o_o In some ways, things shift into even higher gear once [personal profile] scruloose gets in, partly because unlike Ginny, Toronto!Mom&Tom don't live right downtown, so once we're out of the house for the day, we're simply out. There's no stopping back in for a cup of tea and an hour or two of quiet.

We've spent what seems like a horrific amount of money on Buying Stuff (as opposed to the amount we spend on eating out at tasty places, which I automatically brace for). I keep reminding myself that I genuinely do most of my shopping in Toronto and buy very, very little back home, other than ordering media from Amazon. I have shoes (and, yes, Fluevogs are an extravagance) and new jeans etc. that actually fit properly, and some fun clothing I acquired while shopping with K on the weekend... And so on.

Links!

I absolutely love Genevieve Valentine's post about Elementary. It does wind up in extremely spoilery territory about two-thirds of the way in (it discusses the season finale), but up until that point it's a great overview of how Elementary is approaching and interrogating the original canon, and the many ways the show is doing things beautifully (along with acknowledging some weaknesses).

I've put tons of Star Trek Into Darkness posts into my Memories for later reading [see also: Toronto], but I'm going to link to [livejournal.com profile] sabotabby's post about it because it's one of the few posts I've had a chance to read (and enjoyed, as evidenced by my linking to it).

I really like Kameron Hurley's "We Have Always Fought: Challenging the 'Women, Cattle and Slaves' Narrative".
I was going to say some stuff about Kindle Worlds, but then I left this comment on hesychasm's post and it pretty much summed up my thoughts, and I am just going to post it here:



I was intrigued at first, but then realized this is far from the kind of thing I've wanted for fandom -- I don't care about making money on my stuff, I'd rather have ten nice comments than a ten dollar royalty pittance, and what I've envisioned is more of a licensing scheme, a way to give copyright owners a small fee (similar to what DW or LJ charges yearly) in order to make fan use of their properties (fiction, art, vids, etc). The SF novel Rainbows End actually has a world in which the copyright holders' association charges that kind of small use fee. However, smart people are pointing out this is really more of a work-for-hire situation, like the bad old comics days, and not only will Amazon be able to exploit people's stuff and original creations however they want, the royalties are also a portion of the net, so they can do the usual BS e-publisher trick of eating up most of the gross with supposed overhead costs and pay basically nothing, no matter how well a story/book does. So, feh.
I accidentally have two rooms at WisCon! Aaaaack!

It is a governor's club room with king size bed, shower, access to the 12th floor lounge with free drinks and food.

email me if you want it! if no one emails in the next couple of hours I will cancel the extra reservation. lizhenry@gmail.com.

Completely forgot that I booked this room *at last year's wiscon* and then i took over tempest's extra room. AHahahahahah.... fail.
inkstone: Nami from One Piece winking (wink)

so now that I'm back...

May. 23rd, 2013 10:07 am

Tell me what I missed and what's up with you!
marina: (education)

Oh, this day

May. 23rd, 2013 04:40 pm

Yesterday was... a thing that happened, and I am so extremely exhausted today, again :/

But during lunch I went out and enjoyed my university's Student Day. Basically a giant party the Student Union throws once a year on campus, and all classes are cancelled. There's tons of stalls, street food and concerts from leading israeli artists.

So, HaDag Nahash were performing at lunch. I've mentioned seeing them at Student Day 2011. I love their music so much, and they played some old stuff and some new and I sat on the grass, in the shade, and enjoyed the breeze and got myself a glass of champagne and a hamborger and just... spent 40 minutes taking everything in. It felt like sticking my head into a tub of medicine for all the things that ailed me. Just... music and food and nature and fresh air. *Happy sigh*

I've shared their music before but really, I can never have it posted enough times on my journal. As they tend to be extremely political in their songs I won't even try to translate or explain the meaning, I'll just leave these here and are you not to want to dance your ass off when you hear the beat.





At 7pm Ivri Lider, the dude who did this amazing cover of "I Kissed A Girl" is going to perform, and I plan on seeing him with [personal profile] cesy and [personal profile] shedonit.

The Poet & The Prophecy full sizeBy the time you read this I will probably be on my way to Balticon for the weekend, but I just got the news that WOW! YES! not only are the first annual awards for bisexual writers and books happening NEXT week (Sunday June 2, 6:30 pm at the Nuyorican Poets Cafe, NYC) but I have two nominations! One of my books is a finalist, and I’m a finalist myself!

Details:

Read the rest of this entry » )

Mirrored from blog.ceciliatan.com.

It has been an incredibly stressful and overall very not good last 2 weeks. That I am not really up for talking about quite yet (and if you already know what's going on, please don't comment about it in the post) but this is not the whiny post. Except for the why can't toku fandom sustain a kink meme whining that I've been going on about for weeks.

Look at these adorable returning rangers on their way to New Zealand. Someone explain to me why there isn't already fic of them joining the mile high club. It is overall a good list of returning rangers, and I am very happy.

And I leave for Wiscon tomorrow! I am not on any panels, but I am planning on forcing [personal profile] likeadeuce to watch more Gokaiger at some point. And going to panels! And basically having a nice vacation before I have to come back to things being not so great again.

I did start watching Goseiger, which is great. Alata is the most adorable ever.
Link-drop because [community profile] flaneurs are interested in modes of transport, especially leisurely ones that create lines in the landscape, and you already know I love trains.

The Severn Valley Railway, a report in 15 small images (at my journal).
telophase: (Default)

Oops

May. 23rd, 2013 08:12 am

Was mailing that previous link to myself, and accidentally sent it to DW instead.

It's a /r/bestof link that points to a series if comments in /r/askhistorians that I intend to read later. (Too much hassle to log in and delete it on my phone, so you get an explanation of it instead.)

Sent from my iPhone
.
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