How We Look At Pictures: A Basic Art Crit Lesson
this was sparked by the miniwank here. (ETA: link fixed)
taradiane posted this picture of daniel radcliffe.

wayfairer said the childsploitation made her uncomfortable and asked for a cut-tag. lots of people took offense and/or got snotty. the lady protested too much. no one ELSE was bothered by the childsploitation. he's just a kid; kids crouch in that position all the time. was she some kind of sicko, getting turned on? etc etc etc. she was uncomfortable with the suggestive pose; they denied there was one.
let's put it this way: the suggestive composition. that picture is designed to draw the eye to daniel's crotch.
it's not that the photographer necessarily made a crotch bull's eye and lined dan up in front of it; it's that no artist, no professional photographer, lines up a shot unaware of what he or she is doing. photographers look through the viewfinder, and they don't see just "kid crouching on pedestal with caterpillar brows": they see the image of lines and colors and highlights and dynamics that is going to exist in the photograph. they don't see the person--they see the work of art.
let's study how this works. ( gather round. )
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![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
let's put it this way: the suggestive composition. that picture is designed to draw the eye to daniel's crotch.
it's not that the photographer necessarily made a crotch bull's eye and lined dan up in front of it; it's that no artist, no professional photographer, lines up a shot unaware of what he or she is doing. photographers look through the viewfinder, and they don't see just "kid crouching on pedestal with caterpillar brows": they see the image of lines and colors and highlights and dynamics that is going to exist in the photograph. they don't see the person--they see the work of art.
let's study how this works. ( gather round. )