new orlijah story.
11 Apr 2002 07:45 pmposted to fellowshippers. am eyeing lotrips coyly. i now hate its guts, but suppose i should.
eh. i still hate orlijah, everyone. this is strictly a present for kk. a bitter cold wet pwp, whoo! summary: a storm. nc-17. warm.
best time:
late, late at night often seems the best, or when i'm trying to write something else. i'm thinking, "duh, why... does... austen... do THIS in the last chapter" and all of a sudden lyrical sentences are popping fully-formed into my head. or, of course, if i'm too far away from the room to remember it any more when i get there, i'll get a whole fucking paragraph.
got a specific playlist?:
tori amos, queen, garbage, no doubt, and britney spears mixed with various foreign pop and one-shot guilty pleasure songs by people like mikaila and leann rimes.
prose easier than dialogue?:
in general, no; dialogue writes itself in a certain mood, but prose is what comes to me out of nowhere to get me started.
enjoy writing sex scenes?:
yes, although i worry about writing them too similarly.
most troublesome words:
i overuse certain ones. cold, hard, pulse, blood. stuff like that.
do you use stickmen?:
wtf.
favourite character pov right now:
i'll just say third person because i'm too charitable to interpret that as referring to a specific person. my preferred is third person so thoroughly limited it's nearly first person and the narrator is really the protagonist.
eh. i still hate orlijah, everyone. this is strictly a present for kk. a bitter cold wet pwp, whoo! summary: a storm. nc-17. warm.
best time:
late, late at night often seems the best, or when i'm trying to write something else. i'm thinking, "duh, why... does... austen... do THIS in the last chapter" and all of a sudden lyrical sentences are popping fully-formed into my head. or, of course, if i'm too far away from the room to remember it any more when i get there, i'll get a whole fucking paragraph.
got a specific playlist?:
tori amos, queen, garbage, no doubt, and britney spears mixed with various foreign pop and one-shot guilty pleasure songs by people like mikaila and leann rimes.
prose easier than dialogue?:
in general, no; dialogue writes itself in a certain mood, but prose is what comes to me out of nowhere to get me started.
enjoy writing sex scenes?:
yes, although i worry about writing them too similarly.
most troublesome words:
i overuse certain ones. cold, hard, pulse, blood. stuff like that.
do you use stickmen?:
wtf.
favourite character pov right now:
i'll just say third person because i'm too charitable to interpret that as referring to a specific person. my preferred is third person so thoroughly limited it's nearly first person and the narrator is really the protagonist.