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cimoreneAfter reading most of John Dickson Carr's books — maybe 25? — I've moved onto a few recs for more GAD (Golden Age Detective Fiction) by other people that I picked up recently.
I read The Bride Wore Black by Cornell Woolrich, the famous midcentury author of Rear Window and a whole heap of other bleak thrillers, apparently. I might read more later. The Bride Wore Black was obviously, to me, from the first sentence of the recommendation, a major inspiration behind Kill Bill. Tarantino is on my shit list, but I really enjoyed some of his movies, and Uma Thurman in Kill Bill is just iconic to me. Anyway, TBWB is a series of five short interludes where the Bride stalks and then kills five men in revenge. Her motive and even her identity are gradually revealed. This isn't a descendant of samurai films: she uses a new method each time, as well as a new disguise. If your curiosity is piqued, here's the review by JJ of The Invisible Event which sold me. I wouldn't rate it as highly, although it was a great read that I fully recommend; I couldn't put a book with a flaw this big on a Best Of list, and the whole last episode doesn't work for me, with a disappointing and rushed solution that felt too shallow. Also it's too pro-cop in a quite silly way. There's a 1968 film by Truffaut starring Jeanne Moreau that I've got to see, knowing that it removes the cop part entirely. The setup has major differences from the setup of Kill Bill - the victims aren't the Bride's ex-friends, which adds to each episode in KB but also makes each episode of TBWB more novel and mysterious. The Bride herself is a resourceful ordinary woman, not a skilled expert killer. There's a little more characterization of each victim, too. Anyway, KB is a more successful movie than this is a book because the back end of it doesn't just collapse, but in some ways the book is more interesting.
Yesterday I read another book from that list, Home Sweet Homicide by Craig Rice. This is a 1944 YA comedy murder mystery about the children of an ADHD single mom mystery writer trying to solve the murder that happens next door in order to matchmake their mom with the investigating detective. It's full of 1940s slang and affectionate family squabbles, the children outwitting and misleading the cops as they collect clues, and lots of evocative scenes of preparing and eating food and casual mentions of 1940s suburban life that were fascinating. The tone isn't just comic, but it isn't really a serious murder mystery, either; the puzzle and the mystery take a back seat to the children's adventures. But it's so much fun to read anyway that I heartily recommend it. The only signing flaw is the cops being sympathetic, but at least they're also constantly outwitted by the kids. Here's JJ's review that sold me. I should also say that this book predates the existence of the modern YA genre, and all the markers and conventions that I can't stand in it. I describe it as YA on the basis of the reading level, the child protagonists, and the less serious and complicated mystery.
I read The Bride Wore Black by Cornell Woolrich, the famous midcentury author of Rear Window and a whole heap of other bleak thrillers, apparently. I might read more later. The Bride Wore Black was obviously, to me, from the first sentence of the recommendation, a major inspiration behind Kill Bill. Tarantino is on my shit list, but I really enjoyed some of his movies, and Uma Thurman in Kill Bill is just iconic to me. Anyway, TBWB is a series of five short interludes where the Bride stalks and then kills five men in revenge. Her motive and even her identity are gradually revealed. This isn't a descendant of samurai films: she uses a new method each time, as well as a new disguise. If your curiosity is piqued, here's the review by JJ of The Invisible Event which sold me. I wouldn't rate it as highly, although it was a great read that I fully recommend; I couldn't put a book with a flaw this big on a Best Of list, and the whole last episode doesn't work for me, with a disappointing and rushed solution that felt too shallow. Also it's too pro-cop in a quite silly way. There's a 1968 film by Truffaut starring Jeanne Moreau that I've got to see, knowing that it removes the cop part entirely. The setup has major differences from the setup of Kill Bill - the victims aren't the Bride's ex-friends, which adds to each episode in KB but also makes each episode of TBWB more novel and mysterious. The Bride herself is a resourceful ordinary woman, not a skilled expert killer. There's a little more characterization of each victim, too. Anyway, KB is a more successful movie than this is a book because the back end of it doesn't just collapse, but in some ways the book is more interesting.
Yesterday I read another book from that list, Home Sweet Homicide by Craig Rice. This is a 1944 YA comedy murder mystery about the children of an ADHD single mom mystery writer trying to solve the murder that happens next door in order to matchmake their mom with the investigating detective. It's full of 1940s slang and affectionate family squabbles, the children outwitting and misleading the cops as they collect clues, and lots of evocative scenes of preparing and eating food and casual mentions of 1940s suburban life that were fascinating. The tone isn't just comic, but it isn't really a serious murder mystery, either; the puzzle and the mystery take a back seat to the children's adventures. But it's so much fun to read anyway that I heartily recommend it. The only signing flaw is the cops being sympathetic, but at least they're also constantly outwitted by the kids. Here's JJ's review that sold me. I should also say that this book predates the existence of the modern YA genre, and all the markers and conventions that I can't stand in it. I describe it as YA on the basis of the reading level, the child protagonists, and the less serious and complicated mystery.
