cimorene: cartoony drawing of a woman's head in profile giving dubious side-eye (Default)
As you all are potentially aware, I have an allergy to at least one (unknown id) perfume and am hyper sensitive to other (many, but not all) perfumes and some natural fragrances. Besides one lavender tea incident, the throat swelling has only ever been in response to perfumed products on the lower half of my face for longer than the time it takes to wash it back off (so it's not TOO scary, since I always have time to escape). Hypersensitivity isn't the same as allergy, but when you add the knowledge that some unknown perfume aggressors out there will make my airway swell mostly closed, the hypersensitivity becomes very alarming and hard to deal with. Am I sneezing and feeling like I'm gonna choke because Smell, or am I risking anaphylaxis?

So as you can imagine, I usually buy unscented cosmetics, hygiene products, etc. And that's not always enough! As I was saying to [personal profile] twistedchick recently, sometimes I have to discard unscented products due to the smells of ingredients. Common offenders include burning (how?), ozone (this isn't unbearable but it's very annoying), a vaguely "gone off" smell in some moisturizers (rancid oils? Or some kind of fungal ingredient??), and urine (WHY! I know it's because they use urea in the manufacture but that's an issue I would think they would consider urgent to fix???)

But sometimes I feel compelled to try scented products because there doesn't seem to be a good unscented alternative. If you have any special requirements for shampoo and conditioner - in my case, I have low-porosity hair and lots of common ingredients don't work for me - there tend to be no unscented options, because unscented products are already considered a special requirement. I have decided that I need a new leave in conditioner that's more effective for holding curls and waves without frizz, and maybe a curl cream. (I don't like gel but it's always there if I can't find a good cream solution.)

Well, I tried a John Frieda Frizz Ease "curl revitalizing oil spray" today with great hopes.

My first impression was "this smells like my mother in law". [personal profile] waxjism agrees. It's a perfume, and the product does contain a little patchouli but it's not exactly patchouli that smells like her (but it is musky). The ingredients include "perfume", as usual, which should be illegal anywhere btw, so that's not much help.

Anyway, it's strong enough that I don't like it and will have to give it away, but it's not strong enough that I need to wash it out a day early, as long as my hair is kept back out of my face.

I've been reading the occasional perfume review reblogged by [personal profile] cleolinda and have got the idea it could be oud or some rose-related thing. Or maybe it's the combination of patchouli with one of these other things? I'm medium confident that it's not moringa...

full ingredients list )
cimorene: cartoony drawing of a woman's head in profile giving dubious side-eye (Default)
The Knight of the Leopard then disarmed himself of his heavy panoply, his Saracen companion kindly assisting him to undo his buckler and clasps, until he remained in the close dress of chamois leather, which knights and men-at-arms used to wear under their harness. The Saracen, if he had admired the strength of his adversary when sheathed in steel, was now no less struck with the accuracy of proportion displayed in his nervous and well-compacted figure. The knight, on the other hand, as, in exchange of courtesy, he assisted the Saracen to disrobe himself of his upper garments, that he might sleep with more convenience, was, on his side, at a loss to conceive how such slender proportions and slimness of figure could be reconciled with the vigour he had displayed in personal contest.


Walter Scott, The Talisman
cimorene: abstract painting with flower in bright, warm colors (perfect)
I think we have like eight phalaenopsis orchids and a couple of others. Of those, one is a mini "wild variety" and has been blooming regularly and copiously since we bought it. But all the others have been dormant since they dropped their flowers (except one which died - at least I think just one).

But about a month ago Ella Fitzgerald (L) started making new buds, and shortly after that Georges Seurat (R) did too! These are the first non-wild orchid blooms we've seen in a year.



That said, I definitely would recommend the wild mini phal over the hybrids. The different colors are just irresistible sometimes, but the vigor and jollity of the wild phal with its profusion of little white blooms is also remarkable. And it makes so many more flowers! Our mini wild phal, Neve Campbell, isn't blooming at the moment; but it's got a bunch of buds that will be open soon. And like I said, it's been blooming regularly all along, unlike the others. (But pics of it can be seen in this post when we bought it and group shots comparing it to other orchids in this one, where it's next to Ella.)
cimorene: medieval painting of a person dressed in red tunic and green hood playing a small recorder in front of a fruit tree (medieval)
After reading the introduction to Scott's The Talisman, I was kind of like ... Whoa Richard the Lionheart was somewhat horrible? I only knew about him previously from like. Robin Hood. And Ivanhoe, which is almost the same thing. (In retrospect it's not surprising that these sources were not very reliable.)

Now that I've read a bunch of articles on Wikipedia I know that historians debate, but he is widely considered arguably a bad king and not great guy, although definitely a very good warrior and general. And he did punish anti-semitic rioters one time. But other than that, there's little to be said for him except that his brother John was worse.

Scott was a fan, but his introduction doesn't really have any more to say in his favor, just basically: He was brave! and He was super into the Crusade! The latter may argue for his emotions and conviction of purpose, but I can't count it as a positive overall.

All that said, clearly people are not reading The Talisman, or there would be way more Richard I/Saladin on AO3.
cimorene: An art nouveau floral wallpaper in  greens and blues (wild)
‘For the day is waxing old, and here meseemeth in this dim hall there are words crossing in the air about us—words spoken in days long ago, and tales of old time, that keep egging me on to do my will and die, because that is all that the world hath for a valiant man; and to such words I would not hearken, for in this hour I have no will to die, nor can I think of death.’


‘Now, lads, the night weareth and the guest is weary: therefore whoso of you hath in him any minstrelsy, now let him make it, for later on it shall be over-late.’


‘Now were I fain to have a true tale out of him, but it is little likely that anything shall come of my much questioning; and it is ill forcing a young man to tell lies.’


He laughed and said: ‘Thou didst not doubt but that if we met, thou mightest do with me as thou wouldest?’

‘So it is,’ she said, ‘that I doubted it little.’


[T]he stony neck sank into another desolate miry heath still falling toward the east, but whose further side was walled by a rampart of crags cleft at their tops into marvellous-shapes, coal-black, ungrassed and unmossed. Thitherward the hound led straight, and Gold-mane followed wondering: as he drew near them he saw that they were not very high, the tallest peak scant fifty feet from the face of the heath.

They made their way through the scattered rocks at the foot of these crags, till, just where the rock-wall seemed the closest, the way through the stones turned into a path going through it skew-wise; and it was now so clear a path that belike it had been bettered by men’s hands. Down thereby Face-of-god followed the hound, deeming that he was come to the gates of the Shadowy Vale, and the path went down steeply and swiftly.
cimorene: white lamb frolicking on green grass (pirouette)
Here's the sweater I knitted so hard that I sproinged my shoulder blade! It's been finished for a couple of weeks, but I finally got Wax to take some pictures of it on me in natural light.

It's good that I hurried when knitting, actually (even if it isn't good that my shoulder is wonky), because I think it's going to be too warm to wear it out more until next fall. I got a few weeks of wear out of it when it was new this way.



This sweater was knitted using the popular Finnish knitwear designer Sari Nordlund's Bookclub cardigan pattern in Filcolana Peruvian aran-weight wool in color 227 ("old rose", but it's more a bright pastel lilac, I'd say). (I made a number of modifications and notes which can be seen on my project page.)

I love this sweater. It has an unusual shape and drape caused by the unusual construction with the Scandinavian-style shoulder, where the shoulder seams are moved onto the back and the fronts curve over the shoulders to meet them, and I love the shape of the front V-neck.

It isn't perfect because the pockets aren't deep enough to carry my phone in - which I knew was happening when I knitted it, but I didn't want to lengthen the bottom hem to make the phone fit or go back and move the pocket openings higher up. Also the sleeves are slightly too long. You never know for sure how much they will grow with blocking, and having them slightly too short is worse.
cimorene: A guy flopped on his back spreadeagled on the floor in exhaustion (dead)
Well, guys, last fall when I was having a nervous breakdown my doctor was having some trouble finding a good medication to prescribe to help me sleep, and she landed on mirtazapine, which is actually an antidepressant, but has a strong history of off-label use as a sleep aid.

You can take half a pill or a quarter of a pill, something like that, at bedtime, my doctor said, and hopefully this will help you sleep. And this medication has a weird curve where it acts differently at high doses and if you want you can take a full tablet in the morning as a mood lifter. (This is all paraphrased.)

I tried a half-tablet of mirtazapine for insomnia last fall at one point, and found it made it very hard to wake up the next day. I quickly switched to quarter tablets and even eighth tablets, on a tip from the pharmacist ("Many people find an eighth works even better than a quarter"). I never took this every night, and gradually got out of the habit because I have mostly not been having much insomnia and my greater concern is how hard it is to wake up in the morning.

So until yesterday I actually never had taken a whole tablet, but I started thinking maybe I should try it recently. I have been feeling some of that weird ADHD-understimulation where it's like your brain itches, but all the things I tried to read or look at or draw didn't help and it still felt kind of... boring. I don't really like the term 'boredom' in this explanation for that reason, but all the information I can find about ADHD understimulation emphasizes it and most of it is about taking things you like to do along when you have to sit through boring lectures etc which is not what's going on for me at all (and which I have already been doing my whole life). Reading is my silver-bullet distraction that always works. Maybe the problem is that understimulation isn't really what's going on.

But anyway! Yesterday I decided to give it a try. So I took one tablet with my meds after breakfast and then I just. Got very sleepy inside like half an hour and slept for... five hours, and then woke up from hunger and only managed to stay up long enough to eat a banana and two pieces of toast before falling back asleep for another five hours. I ate the dinner Wax made and managed to sit there half awake for a couple of hours before going to bed and sleeping another twelve hours.

It's like the day is just gone!
cimorene: A woman sitting on a bench reading a book in front of a symmetrical opulent white-and-gold hotel room (studying)
I accidentally deleted the last William Morris book in my to-reread list from my phone and never got around to sending it back.

I started Walter Scott's The Talisman, because it's one of his few novels set in the middle ages, but there's some racism that's hard to swallow. There is a major Kurdish character, a knight under Saladin, who is... friends? With our Norman Scottish protagonist. The portrayal is not unsympathetic. I think Scott is doing his best to be even-handed, but like Catholicism, Islam just seems factually wrong and evil etc etc to him, and its adherents who are good guys are unfortunately misled. It's... hard to read. In retrospect, I'm surprised by how much he didn't dislike Judaism, in comparison.

Also started The King of Elfland's Daughter by Lord Dunsany. I read this as a teenager but remembered nothing. The narrative voice is quaint and charming. It's not really gripping me though.

No progress in Le Morte d'Arthur (Malory) or The Idylls of the King (Tennyson). The latter is more readable, comparatively, but I just don't really like reading verse. Also I did make some progress in The Faerie Queene (Spenser), and one verse narrative at a time is plenty.

Speaking of verse narratives, I still haven't made any more progress in the Wilson translation of Seneca's plays. (But the translations aren't in verse!) I might just have to skip Oedipus. I hate him for some reason.

I guess now I should actually reread all of Murderbot again, since I can't remember all the details and the show is starting to air. That should be comparatively quick though! I have the last Katherine Addison waiting and haven't gotten around to picking it up.

With all these things that I'm feeling decidedly unenthused about, I instead read the whole part of Jordanes' ancient history of the Goths that deals with wars with Asian invaders and then the entirety of Hervor's/Heidrek's saga, including the ancient poem called The Battle of the Goths and the Huns. (This is the only surviving medieval saga that deals with Gothic tribes in mainland Europe, and Jordanes' is the only other ancient source with relevance to Morris's The Roots of the Mountains.) I had made all the posts about that book which I had in mind when reading it, but yesterday I found a link on Tumblr to these two great essays about the context, history, and implications of the racism of Tolkien orcs/goblins by James Mendez Hodes (he doesn't mention Morris/ROTM or the specific borrowing from Jordanes alleged in Seaman's introduction to ROTM, but these links in the chain are immaterial to the argument): Orcs, Britons, and the Martial Race Myth, Part I: A Species Built for Racial Terror. content warnings: racism, colonialism/imperialism, cultural conflation, sexism, sexual violence, anger & Orcs, Britons, and the Martial Race Myth, Part II: They're Not Human. These essays totally opened my eyes to a missing link in my understanding of the background of the racist portrayal of the Dusky Men - one I wouldn't have missed if I'd reread Said's Orientalism, which I probably should've. The gender aspect of the ROTM Huns is riffing on the extreme cultural openness and intermarriage habits of the Mongols, whose invasions were much later - 13th century, long after the christianization and settlement of the germanic tribes and the fall of the Roman empire. (More on the Mongols' real culture and the stereotypes in western culture surrounding them in his posts!) So that gives me something else to research. Maybe I actually will eventually form a coherent theory of what is going on with all the gender roles in this book!
cimorene: Illustration of a woman shushing and a masked harlequin leaning close to hear (gossip)
"And, by my faith, he is a man of steel, as true and as pure, but as hard and as pitiless. You remember the Cock of Capperlaw, whom he hanged over his gate for a mere mistake—a poor yoke of oxen taken in Scotland, when he thought he was taking them in English land? I loved the Cock of Capperlaw; the Kerrs had not an honester man in their clan, and they have had men that might have been a pattern to the Border—men that would not have lifted under twenty cows at once, and would have held themselves dishonoured if they had taken a drift of sheep, or the like, but always managed their raids in full credit and honour."


What a fascinating look at 16th century Scottish border life. It's totally honorable to steal a large herd of cows from an English target, but the fewer you steal (presumably because of the relative poverty of their owner) the more morally questionable, so the most honorable lads are raiding large quantities of livestock from wealthy English landowners. Meanwhile, stealing any amount of livestock from another Scottish person is punishable by death.

Their stately offices—their pleasant gardens—the magnificent cloisters constructed for their recreation, were all dilapidated and ruinous; and some of the building materials had apparently been put into requisition by persons in the village and in the vicinity, who, formerly vassals of the Monastery, had not hesitated to appropriate to themselves a part of the spoils. Roland saw fragments of Gothic pillars richly carved, occupying the place of door-posts to the meanest huts; and here and there a mutilated statue, inverted or laid on its side, made the door-post, or threshold, of a wretched cow-house.


Mostly I'm just sad we don't have documentary photo evidence of this practice.

"My master has pushed off in the boat which they call the little Herod, (more shame to them for giving the name of a Christian to wood and iron,)[...]"


Old Keltie, the landlord, who had bestowed his name on a bridge in the neighbourhood of his quondam dwelling, received the carrier with his usual festive cordiality, and adjourned with him into the house, under pretence of important business, which, I believe, consisted in their emptying together a mutchkin stoup of usquebaugh.


Love to see whiskey in Gaelic.

“Peace, ye brawling hound!” said the wounded steward; “are dagger-stabs and dying men such rarities in Scotland, that you should cry as if the house were falling?”
cimorene: A very small cat peeking wide-eyed from behind the edge of a blanket (cat)
As long-time readers are aware, Wax and I have been cat divorced for what feels like forever* (in this case, since we brought Sipuli home last September), in a house divided. )

Tristana's journey: Tristana would initially not come near the gate at all; then she would gradually creep closer but run away and hide at any sign of movement. It was agonizingly gradual, and it's been over six months, but as of about a week and a half ago, she is not afraid at all. )

Sipuli's journey: So Tristana has made a lot of progress, and will stay sitting right next to the gate now even when Sipuli gets excited and rattles it or bounces off it a bit. But now the problem is Sipuli. After her first reaction of getting over-excited - usually like, one bounce - she typically has a quick spurt of intense regret and self-doubt, and frequently retreats, sometimes all the way into the other room. It seems that she has learned that her over-excitedness has something bad associated with it, but she doesn't understand what about it is wrong, so she will leave the gate while Tristana is still sitting right there peering through at her like "Where are you going?"

They have sat quite close on opposite sides of the gate looking at each other, neither one freaking out, I'd say about three times in the last week and a half, though. They still haven't sniffed and greeted each other, but I think it is probably not far away now. And then when they do they can be introduced on leashes in the same space!!!!!!!



This was last weekend, the second time they did it. And these are sketches I did after [personal profile] waxjism said "They're so Kiki and Boba!"

* But before that since I think 2022 because of Anubis, with a couple of weeks of breaks here and there.
cimorene: Illustration from The Cat in the Hat Comes Back showing a pink-frosted layer cake on a plate being cut into with a fork (dessert)
*My wife is not really a dessert chef, it's just her hobby. She likes to watch French dessert chefs on YouTube.

For years one of our most frequently patronized restaurants was a Finnish chain of French provincial cuisine called Fransmanni and we got this cake every time we ate there. It's a miniature chocolate cake, approximately ramekin-sized, that would come upside down on the plate with a little scoop of vanilla icecream, and while the outside was cakey the inside was still liquid.

I was lying around yesterday, suffering through period cramps after taking my painkillers, and lamenting that I didn't buy any more peanut m&m's so I didn't have emergency chocolate, and saying for the millionth time that I wished I could have the miniature chocolate cake from Fransmanni, and it might not even be too hard to make, but I didn't even know what it was called... only then [personal profile] waxjism said she thought it was called gateau fondant.

Actually it turns out that it might not be called that because apparently people use this term for miniature cakes that are not liquid in the center? But people still call it that enough to bring the information up with those search terms. The Wikipedia entry about it in English is called "Molten chocolate cake" and gives the same origin stories as the French recipe blog we used, and here's what she said about it:

[C]hocolate fondant (or should I say molten cake? lava cake?) is really something the French bake very often at home and that became a great classic of French restaurants, form small bistrots to more fancy restaurants. It’s super quick and easy, only 5 ingredients.

Molten Chocolate Fondant - Zest of France


I got out the ingredients in a spurt of enthusiasm, but then [personal profile] waxjism jumped up and took over with her dessert chef skills! We only realized after the batter was done that it was a lot of batter and we don't have ramekins. Muffin tray was the only option, and there was some concern that it might not all fit in one mufffin tray, but it did: it made eleven muffin-size cakes out of a tray of twelve.

Then the muffin tray went in the fridge and we confronted the fact that we have only ever eaten one of these cakes at a time before (albeit slightly larger ones than the ones produced by the muffin tray), and that they are meant to be eaten straight out of the oven. They are so tiny that they bake in about ten minutes though, so [personal profile] waxjism came up with sliding the filled muffin cups on little bits of cardboard into small ziploc bags and freezing them. So we ate two each yesterday and baked two more today.




I had to take pictures even though they look almost comically unprepossessing. We were not inclined to break out fresh berries or whipped cream to plate it with though, so it is what it is. Trust me, it's incredible! Even though they are a little less cooked than the ideal amount here: the solid shell is a bit thinner than it was yesterday (they weren't room temperature yet when we put them in the oven.)
cimorene: drawing of a flapper in a red cloche hat leaning over to lecture a penguin (listen up)
I drew this inspirational poster after [personal profile] waxjism accidentally stepped in YouTube shorts and got caught against her will in the whirlpool for a few hours. She said I should share it because it's "cute" and "universal" ("No one likes YouTube shorts," she explained).


cimorene: Cartoon of 80s She-Ra with her sword (she-ra)
[H]e saw a slender glittering warrior come forth from the door [...], who stood for a moment looking round about, and then came lightly and swiftly toward him; and lo! it was the Sun-beam, with a long hauberk over her kirtle falling below her knees, a helm on her head and plated shoes on her feet.

—William Morris, The Roots of the Mountains


Mentions of this book before I read it indicated to me that it was the inspiration behind several chunks of The Lord of the Rings for Tolkien, one of these being the "warrior women". There is a woman who swears herself to the war-god as a result of being disappointed in love, and some other echoes of Eowyn's story discussed in my previous post on the subject, The romances of Morris's Roots of the Mountains as forerunners of those in LOTR. But saying that The Roots of the Mountains' fighting women inspired LOTR, though possibly true, is quite misleading, because there is so much more warrior woman in The Roots of the Mountains.

In The Roots of the Mountains, Victorian socialist and medieval fanboy William Morris created a fantasy version of pre-Christian central european Gothic tribes in an idyllic egalitarian agrarian society where women hold political influence and freely fight in war against barbaric colonizing enslavers.

This fantasy society isn't closely based on any sources - the nearest is the bits of the poem Hlöðskviða or "The Battle of the Goths and Huns" preserved in a 13th century Icelandic "legendary saga" (fornaldarsaga) (ie not a historical saga; though the poem doubtless has its origin in some real poems/songs) - and while the image of the Germanic warrior woman or Valkyrie certainly exists in Norse and germanic folklore, Morris's world in ROTM goes far beyond that. Read more... )

Of the three female main characters (out of five) in The Roots of the Mountains, one is The World's Greatest Archer, typically a woodswoman and huntress, and a fierce fighting maiden all the time; one is a young athlete who was always skilled at fighting and makes a vow to go to war as a result of her broken heart, but throws herself gloriously into the fighting as a leader of the people; and one is a wise political leader who refuses to take up arms herself, but goes into the battle in full armor with her people.

‘And when I go down to the battle,’ said he, ‘shalt thou be sorry for our sundering?’

She said: ‘There shall be no sundering; I shall wend with thee.’

Said he: ‘And if I were slain in the battle, would’st thou lament me?’

‘Thou shalt not be slain,’ she said.


There are still plenty of women who don't go to battle in The Roots of the Mountains, too, and their choice is valid! But the ability to fight and the will to fight are fully accepted and fairly widespread for women throughout the four societies he portrays, (1) the Burgdalers (town dwellers), (2) the shepherds, (3) the woodsfolk, and (4) the Children of the Wolf, who have been living hidden in Mirkwood, the forest which lies between the dalesmen and the eastern invaders, and protecting the border from their SECRET BASE in the hidden Shadowy Vale.

First we learn of the fighting women of the Children of the Wolf - a mysterious, rather fantastical people, throwbacks to the heroic age, and thus possibly more apt to exotic things like warrior maidens:

Then the Sun-beam spake to Gold-mane softly, and told him how this song was made by a minstrel concerning a foray in the early days of their first abode in Shadowy Vale, and how in good sooth a maiden led the fray and was the captain of the warriors:

‘Erst,’ she said, ‘this was counted as a wonder; but now we are so few that it is no wonder though the women will do whatsoever they may.’


(In The House of the Wolfings - that is, before the Wolfings came to the Shadowy Vale, and at least a couple of hundred years before ROTM - the army is made up mostly of men, but Read more... )) The Sun-beam's foster sister Bow-may intended from the first to fight, and takes the first opportunity to ask Face-of-god where he got his extremely good armor, and if she can have some:Read more... )

But next we learn that the settled town-dwelling society of Burgdale, which at first seemed like a traditional early medieval setting, enthusiastically accepts the vow of the Bride to dedicate herself to the war god and fight in the battle for her people, and that many other young maidens are inspired to follow her example:Read more... )

And finally when the fighters muster we see how many fighting women there are in the whole host: apparently eight, counting the Bride, out of 1 581 fighters from the Dale (Woodlanders and Folk of the Vine ie grape-growers); 50 women out of 235 Children of the Wolf. A sample of the muster scenes: Read more... )

Of the female fighters, we later learn that another besides the Bride was injured, and Bow-May's hand gets hurt and her bow broken, but she keeps fighting. Morris also portrays them fighting heroically alongside the male warriors in his battle scenes: Read more... )
cimorene: Grayscale image of Jean Hagen as Lina Lamont in Rococo dress and powdered wig pushing away a would-be kidnapper with a horrified expression (do not want)
Our plumber hasn't been able to pin down the local digger contractor yet. Now besides the digging they'll have to break the new asphalt up and then repave when they're done!
cimorene: abstract deconstructed tapestry in bright colors (blocks)
I came up with 15 more icons, all of the "Five Choirs" wallhanging by Gunta Stölzl (1928). (This work is also seen in part 1 of my Gunta Stölzl icons #4 and 7 and in part 2 #6.)

As before, you may use, save, share, and modify these icons as you wish. Comments and credit are appreciated, but not required. (Crediting Gunta Stölzl is way more important than crediting me!)






cimorene: abstract deconstructed tapestry in bright colors (blocks)
Previous icons of Gunta Stölzl's textile art were posted yesterday.

Free to save, use, share, and modify. Comments and credit are appreciated, but not required!






cimorene: cartoony drawing of a woman's head in profile giving dubious side-eye (Default)
(Not G)IP! After years and probably a hundred attempts to draw a version of my old default icon that I liked better than the original, last week I succeeded! I've wanted for a few years now to replace the vintage photo of Helen Kane that I've been using as a default since probably 2008ish?, but I would always get hung up at the last minute in a panic of identity crisis: how will anybody recognize me without a teal side-eyeing profile? (I have a constant urge to make my pixel Art Deco radio my default, but I just can't stand the strain of it being non-teal and not giving side-eye. But I wouldn't like it as much if I made it teal and gave it eyes!!!! It's a dilemma.)

Karar i arbeit. (This means "men at work" in a weird western Finland Swedish hick dialect and is the title of a song by Kaj, the Finland-Swedish band that Sweden are sending to Eurovision this year. And it's what [personal profile] waxjism has started saying anytime it is remotely relevant, I guess because it sounds funny to her.) The diggers are back this morning digging up the rest of the intersection next to our house. They dug up most of it in February and replaced some pipes, but then they've left it and most of the street below covered in compacted gravel since. The longer they leave it there, the likelier that our plumber will manage to get the digger guy to do the digging he needs to do to fix our pipe before they repave the road (not calling people back apparently applies also to contractors and not just to end customers! Great!), so I guess that's good. Possibly this development is bad, in fact (like what if they just keep going until they finish and then immediately start paving?). The cats like watching out the window though, and that's always cute.

At least a few flowers! All the maples are blossoming now, like little chartreuse pom-poms everywhere. Very cute. Possibly my favorite tree decoration. Lilies have been coming up, but nothing else but our daffodils is blooming yet, not even our tulips (there are some tulips open in town, in much sunnier spots, but our yard has a great deal of shade from tall trees around it).

Knitting for Niblings (they grow up so fast): The triplets I used to help bottle feed when they were born are turning eighteen this month and one of them is working this summer at a bar here in town, so has sought permission to crash at our place in the event he misses the late bus. They are basically adults!!!! Full-sized people!!! I mean he's been taller than me for a couple of years already, but still. Also this means I guess it's time to make them Adulthood Sweaters, but they're all the same age. (We made their older sister a nice sweater for her 18th birthday under the theory that she was now for the first time unlikely to outgrow it quickly.) (We did make her a sweater when she was a small child once but we never managed to make sweaters for the triplets because of this three-at-once issue. Not that they minded: it would be hard to find better-connected small children and they were always drowning in so many presents and party guests that they wouldn't notice our presence or absence.) So I'm thinking we will give them cards explaining that we will make them each the sweaters of their choosing now, but one after the other (Wax has tentatively agreed to this but she's probably forgotten by now because the discussion was a couple of weeks ago). It's summer anyway, so it's not like anybody will be in a rush for a sweater. And with any luck they will choose things that are easier to make than the long allover-cable mohair-and-merino cardigan Wax made for their sister. And I guess we need some kind of smaller symbolic present to go with the cards, but baking is out because their birthday party always features more sugary desserts than can be eaten. But also my shoulder still hurts (slightly, intermittently) and I still haven't called the doctor (or done the other stuff on that list from ten days ago. It was too scary and I froze up and didn't know where to start! Maybe I can start now, idk). So I couldn't start knitting right away anyway.

Fandom drama update, secondhand: I also forgot to mention that the two-week hiatus in Wax's fandom (911) ended and last week the new episode went up! And, as she and I expected, 911 spoilers... lol... ).

Reading Old Stuff: I made another attempt to read Le Morte d'Arthur and didn't get very far yet. The narrative voice is just incredibly dull! I did read the introductions to the Standard Ebooks edition with great interest, and obtained this list of sources which I hadn't heard before: "the great bulk of the work has been traced chapter by chapter to the "Merlin" of Robert de Boron and his successors (Bks. I-IV), the English metrical romance La Morte Arthur of the Thornton manuscript (Bk. V), the French romances of Tristan (Bks. VIII-X) and of Launcelot (Bks. VI, XI-XIX), and lastly to the English prose Morte Arthur of Harley MS. 2252 (Bks. XVIII, XX, XXI)." Having read Robert de Boron's "Merlin", the beginning of Le Morte d'Arthur is recognizable and also startlingly less interesting and fun to read. I looked up the English metrical and prose "Morte"s mentioned here and concluded that they didn't sound very fun either, although perhaps I will try them soon. Also started William Morris's translation of Grettis saga, and contrary to Morris's transports about characterization and poetry in the introduction, so far it is just wading through a lot of run-on sentences of geneology and short summaries of who attacked/burned and looted someone's house, just like the other Icelandic sagas I've attempted to read in the past. Amazing to think this in any way could represent a story designed to be told orally to a live audience who were supposed to not be falling asleep or getting up and leaving.
cimorene: Photo of a woman in a white dress walking away next to a massive window with ornate gothic carved wooden embellishment (distance)
  • “[Y]ou twa will be as thick as three in a bed an ance ye forgather.” [You two will be as thick as three in a bed once you get together.]


  • “Then the gentleman is a scholar, David?”

    “I'se uphaud him a scholar,” answered David: “he has a black coat on, or a brown ane, at ony-rate.” [I'd bet he's a scholar; he has a black coat on, or a brown one, at any rate.]

    “Is he a clergyman?”

    “I am thinking no, for he looked after his horse's supper before he spoke o' his ain,” replied mine host.


  • “I wish him no worse lesson,” said the Sacristan, “than to go swimming merrily down the river with a ghost behind, and Kelpies, night-crows, and mud-eels, all waiting to have a snatch at him."


  • The Scottish laws, which were as wisely and judiciously made as they were carelessly and ineffectually executed,


  • “Alas! sir,” answered Dame Elspeth, “he is but too prompt, an you talk of promptitude, at any thing that has steel at one end of it, and mischief at the other.”


  • "He is a considerate lord the Lord Abbot.”

    “And weel he likes a saft seat to his hinder end,” said Tibb; “I have seen a belted baron sit on a bare bench, and find nae fault." [And well he likes a soft seat for his hind end.]


  • “And would he fight with Foster in the Church's quarrel?”

    “On any quarrel, or upon no quarrel whatever."

cimorene: abstract deconstructed tapestry in bright colors (blocks)
Gunta Stölzl (1897-1983) was a German textile artist who ran the Bauhaus's weaving workshop for many years and helped shape its distinctive look. Her designs and leadership helped modernize the weaving workshop and make it the most commercially successful part of the Bauhaus, but she was only hired after agitation and campaigning by the students, even though she had been running the weaving workshop in all but name for years and had been responsible for it bringing in more money than any other department. She still was never given benefits or a permanent contract.

Some of these images are photos of rugs, tapestries, and hangings; others are sketches and plans for them.

Icons are free to save, share, and modify. Credit is appreciated but not required.






cimorene: closeup of four silver fountain pen nibs on white with "cimorene" written above in black cancellaresca corsiva script (pen)
This duology by the author of Waverley and Ivanhoe was published in 1820 and concerns the progress of the Protestant reformation in Scotland:

  • The Monastery is set in the 1550s and centers on the takeover by Protestants of the lands of Melrose Abbey (a 12th c. monastery) and the conversion to Protestantism of a fictional noble family. The family's guardian spirit, a sprite called the White Lady who speaks entirely in rhyme, interferes chaotically and helps bring about the happy ending of a romance, the conversion of the young couple and their vindication and installation in a Castle, and the downfall of the abbey. There is a lot of comedy of manners and minor adventures in this novel which I greatly enjoyed and will likely reread sometime; but the surrounding political violence is too real and chilling to go over lightly, so the mood felt uneven.


  • The Abbey is a sequel about a young man adopted (sort of) and raised (for about ten years) by the couple who were united in The Monastery: a Protestant knight close in the service of the bastard half-brother of Mary Queen of Scots who was instrumental in deposing her in favor of her infant son, and his wife, the scion of the ancient and noble house of Avenel whose castle they inhabit. The book is about this youth recovering from two sets of very bad parenting and outgrowing the violence, impulsivity, pride, and petulance which resulted from them... by being sent as a representative of BOTH the Protestant government AND the Catholic conspiracy in support of Mary, Queen of Scots to Castle Lochleven where she is being imprisoned. Read more... ) Roland is a purely fictional character, but the surrounding history is real, and it's pretty good; but the fact that so much of the interest is the real people makes the protagonist feel pastede on. In short, I think there was a better book hiding in there that was simply a novelization about Mary Queen of Scots at Lochleven without an invented protagonist and definitely without the ties to the other book. Also the child abuse plot is not saved by the fact that Scott knew it was what he was portraying. )


The Protestant Reformation famously, along with the destruction of the political power and wealth of the Catholic church as an institution, produced the physical destruction of numerous beautiful buildings and works of art: in many churches this took the form of removing statues, destroying carvings and stained glass windows, and painting over the wall paintings. But there were also many buildings that were torn down, burned, etc. This mob-violence aspect of the Reformation is presented in both novels in a way that is quite interesting, and succeeds in showing the issue's complexity, I think.

The introduction to The Monastery already warns the reader that Scott approaches the whole project from a perspective of hating Catholicism. Reading this, though, did not exactly prepare me for the prejudices of these novels. Hating the medeival Catholic church, the corrupt institution whose power had a stranglehold on Europe (and indeed much of the world) at the time of the Protestant reformation seemed like a reasonable middle-of-the-road position to me. I wasn't prepared for Scott apparently hating Catholicism:

the Catholic, defending a religion which afforded little interest to the feelings, had, in his devotion to the cause he espoused, more of the head than of the heart,

—The Monastery


Don't mistake me: he doesn't hate Catholic people or make them villains. But he views the entire project of struggling for Catholic control of a country to be inherently corrupt and evil, and all the people sincerely engaged in these projects are sadly deluded, or laughably illogical, if sincere. The monks in The Monastery couldn't present a more stark contrast to the monks in the Brother Cadfael novels: he has set two sincerely religious and moral, intelligent, admirable men among them, and the others, however sympathetic, are lazy, cowardly, intellectually negligble social parasites (the monastery is a feudal landowner and its monks are supported by the labor of indentured peasants, until the Protestant troops reposess its lands at the end of the first book).

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