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so, i like hurt/comfort as much as the next person, usually. i mean, that depends who the next person is, but i have something of a weakness for hurt/comfort, anyway. i like it! but i need to have it sold to me, just a little, which isn't, like, a criticism. i mean, i want to buy it.
let's take an anonymous something that i read once upon a time. in this story you have the protagonist wounded, unconscious for what must be several minutes and bleeding out the entire time--even though the slash interest has been applying pressure to his wound for, presumably, a couple of minutes at least. and despite this, he's able to get turned on because the aforementioned slash interest is straddling him, the better to apply pressure--to his bleeding abdominal wound. which is, yes, still bleeding, although we're told that it's not bleeding very fast, that it's not that serious. we do get a little bit of panic, and the protagonist telling himself he shouldn't be thinking those sexay thoughts while bleeding to death, but you know--that's not enough for me.
i know that writing h/c is really writing to a kink, and i'm willing to grant allowances on that basis. but i need a slipcover of believability over my sofas and armchairs of kink, okay? i still know that underneath it is made of nubbly, pilly, mustard-coloured fabric, and that the stuffing of shame is oozing out through the cat-claw rents of eagerness. but i want to be able to sit on it and pretend it is actually upholstered in the respectable, clean, and solid-coloured twill of believability and coherent narrative.
a bleeding abdominal wound, in the world of the writer and the reader, is a social situation, because the bleeding abdominal wound is the slipcover, the plot, the coherent narrative. the core of the story itself, the stuffing, is h/c, and has a lot more to do with themes: caring, and partnership, and how relationships and people change under fire, and, well, comfort, and how nice it is when someone is hurt. but let's not confuse our world with the characters' world, because in their world, the logic of the plot has to fit in with the logic of the universe. for us, the hurt might be something we have to sit through before we can get to the comfort. for him, i'd like the hurt to be real. don't devalue the hurt! because then you devalue the comfort as well!
and that concludes today's, um, installment of the meta through cracked-out interior design metaphors lecture series.
let's take an anonymous something that i read once upon a time. in this story you have the protagonist wounded, unconscious for what must be several minutes and bleeding out the entire time--even though the slash interest has been applying pressure to his wound for, presumably, a couple of minutes at least. and despite this, he's able to get turned on because the aforementioned slash interest is straddling him, the better to apply pressure--to his bleeding abdominal wound. which is, yes, still bleeding, although we're told that it's not bleeding very fast, that it's not that serious. we do get a little bit of panic, and the protagonist telling himself he shouldn't be thinking those sexay thoughts while bleeding to death, but you know--that's not enough for me.
i know that writing h/c is really writing to a kink, and i'm willing to grant allowances on that basis. but i need a slipcover of believability over my sofas and armchairs of kink, okay? i still know that underneath it is made of nubbly, pilly, mustard-coloured fabric, and that the stuffing of shame is oozing out through the cat-claw rents of eagerness. but i want to be able to sit on it and pretend it is actually upholstered in the respectable, clean, and solid-coloured twill of believability and coherent narrative.
Isilya: I have a thing for prolonged and uncomfortable erections
cim: if they were mentioning how it was omgpain, and he had an uncomfortable prolonged erection that he didn't need, i could maybe buy it
cim: instead of acting like the bleeding wound is some kind of social situation that makes his arousal "inappropriate", but not any less likely.
a bleeding abdominal wound, in the world of the writer and the reader, is a social situation, because the bleeding abdominal wound is the slipcover, the plot, the coherent narrative. the core of the story itself, the stuffing, is h/c, and has a lot more to do with themes: caring, and partnership, and how relationships and people change under fire, and, well, comfort, and how nice it is when someone is hurt. but let's not confuse our world with the characters' world, because in their world, the logic of the plot has to fit in with the logic of the universe. for us, the hurt might be something we have to sit through before we can get to the comfort. for him, i'd like the hurt to be real. don't devalue the hurt! because then you devalue the comfort as well!
and that concludes today's, um, installment of the meta through cracked-out interior design metaphors lecture series.
(no subject)
Date: 26 Aug 2005 06:45 pm (UTC)STILL BRILLIANT.
Ahahaha. You know, I think sofas as fanfiction are a fabulous analogy. And now I now why I don't like short stories--I want something I can wallow on and stretch out across and be enfolded by its softly-padded cushiony bosom.
(no subject)
Date: 26 Aug 2005 07:42 pm (UTC)anyway, i maintain that you should make a post about story length and sofas!
(no subject)
Date: 26 Aug 2005 11:42 pm (UTC)Oh, that is perfect. I stealing that to use from now on.
(no subject)
Date: 26 Aug 2005 06:54 pm (UTC)(no subject)
Date: 26 Aug 2005 07:06 pm (UTC)(no subject)
Date: 26 Aug 2005 07:15 pm (UTC)(no subject)
Date: 26 Aug 2005 07:35 pm (UTC)*SQUEEZES the purple sofa!*
(no subject)
Date: 26 Aug 2005 06:56 pm (UTC)I can't stop agreeing with you, and it's becoming almost embarrassing. Also, I think I recognise that sofa.
(no subject)
Date: 26 Aug 2005 07:32 pm (UTC)i like my h/c with lots of subtlety. if it's subtle enough, sometimes, you can actually read it for the plot.
I think I recognise that sofa.
i didn't know you had visited wax! :O
(no subject)
Date: 26 Aug 2005 08:09 pm (UTC)sometimes I tell myself embarrassingly bad h/c on the way to the bus stop in the mornings. this week however, it's been crazy AUs.
I tell you this because I want to nip this illusion of coolness in the bud.
(no subject)
Date: 26 Aug 2005 09:20 pm (UTC)um.
...but we can PRETEND that we're cool.
(no subject)
Date: 26 Aug 2005 09:37 pm (UTC)That's, I, You, Yes. YES.
(no subject)
Date: 27 Aug 2005 04:53 am (UTC)(no subject)
Date: 26 Aug 2005 07:05 pm (UTC)This is hilarious, but oh so true. I really don't like H/C myself, precisely because it's rarely done well. To me it always feels very forced rather than just something that happened to happen to the characters.
(no subject)
Date: 26 Aug 2005 07:47 pm (UTC)(no subject)
Date: 26 Aug 2005 07:54 pm (UTC)(no subject)
Date: 26 Aug 2005 07:59 pm (UTC)oh! you know... that's a good point. i'll have to think about that some more!
because i know i have heard myself say things like something wasn't really h/c, but it had an "element" of it, or a "hint", or a "faint flavour", and... why is that not h/c? is that not like the high school english teacher who tried to tell me that fahrenheit 451, because it was intelligent and about an idea and not just spaceships, was not science fiction but merely speculative fiction in a futuristic setting?
hmmm. *goes off to think*
(no subject)
Date: 26 Aug 2005 08:06 pm (UTC)It's like, with mpreg, which is an extreme form of H/C, the fics that outsiders always tout as good examples of mpreg, are the ones where the authors are trying to write a story that includes men getting pregnant. Most often the authors themselves are not fans of the genre. But to those who are fans of the genre, the best fics are not necessarily the same, because they want those things that go along with the guy getting pregnant. They want the whole mpreg package.
(no subject)
Date: 26 Aug 2005 08:48 pm (UTC)(no subject)
Date: 27 Aug 2005 01:44 am (UTC)(no subject)
Date: 27 Aug 2005 05:02 am (UTC)(no subject)
Date: 27 Aug 2005 05:04 am (UTC)(no subject)
Date: 27 Aug 2005 05:07 am (UTC)no, i am sadly not kidding.
(no subject)
Date: 27 Aug 2005 05:11 am (UTC)(no subject)
Date: 27 Aug 2005 06:29 am (UTC)(no subject)
Date: 27 Aug 2005 06:38 am (UTC)Be afraid. Be very afraid.
(no subject)
Date: 26 Aug 2005 07:33 pm (UTC)(Read: SOFAAahahahaaaaaaaa!!!1 ::thud::)
Oh and word and all that, of course.
(no subject)
Date: 26 Aug 2005 07:52 pm (UTC)actually i was thinking about sofas, though. i was coveting a shiny red ikea sofa. (wouldn't this (http://www.ikea.com/PIAimages/43081_PE138558_S3.jpg) be greeeeeeaaaaat (http://www.ikea.com/PIAimages/24284_PE109118_S3.jpg) for slashmeets (http://www.ikea.com/PIAimages/36913_PE128258_S3.jpg)?)
(no subject)
Date: 26 Aug 2005 08:03 pm (UTC)Sofas #1 and #3 make me whimper. The first one more than the others. Oh, Ikea, don't tempt me so!
(no subject)
Date: 26 Aug 2005 09:21 pm (UTC)sofa
Date: 26 Aug 2005 10:24 pm (UTC)Anyways, I like a bit of hurt/comfort, but I don't want the hurt to be *too* serious. Not like lemon-eating hurt. Maybe it's just not my kink.
Re: sofa
Date: 27 Aug 2005 05:06 am (UTC)(no subject)
Date: 27 Aug 2005 03:30 am (UTC)(no subject)
Date: 26 Aug 2005 10:11 pm (UTC)Aha. Ahahahaha.
*loves*
(no subject)
Date: 27 Aug 2005 05:10 am (UTC)