cimorene: medieval painting of a person dressed in red tunic and green hood playing a small recorder in front of a fruit tree (this is awkward)
[personal profile] cimorene
Via, of course, shallots - small, sweet onions otherwise known as everyone's favourite (or least favourite) humourous misspelling of [livejournal.com profile] astolat's pseudonym. After an onion-related culinary disaster I was contemplating switching to shallots because they come in smaller packages - more single-serving, as it were - and then I started thinking, as one does, about the Lady of Shalott, and poking around Wikipedia.

I mean:

  • Why is it called both 'Shalott' and 'Astolat' (answer: nobody on Wikipedia knows; Tennyson is their only cited source for the former)?

  • What, exactly, was the nature/origin of the curse on the lady?

  • How come there's not more legend about her besides like 'o hai there's a hot guy whoops I'm dead'?


Well! The big W told me that Tennyson's source for the legend was a medieval Italian book called Cento Novelle Antiche, so I looked for that version, and was rather surprised to discover that according to it, the lady was in love with Lancelot in the normal way but he ignored all her pleas because he was in love with Guinevere (Ginevra in the translation I saw, which I guess is the Italian version of the name). So she died of love (or possibly killed herself?), stipulating in her will that her corpse was to be arranged in state on a barge and sent to Camelot with a nasty Dear John letter on it explaining how she died because he was so meaaaaaaaaaaan to her. In other words, she was a psycho stalker! Nice. A bit Ophelia-esque. I like Tennyson's better, but then, who wouldn't?

(no subject)

Date: 18 Jun 2008 08:16 pm (UTC)
From: [identity profile] cimness.livejournal.com
HAHAHAHHAH. Well met, my friend. That's a great reason to friend someone! If you can't bond over such deeply sensitive core philosophical values as hating postmodernism, then what CAN you bond over?

I have a medium-strength interest in Arthurian legend since childhood and have read lots of various transformational fantasy works about it, but few of the "classics" (not The Once and Future King, either - and I barely made it through The Mists of Avalon because it was a favourite of my mother's). I started a modern translation (well, modern - 1960s perhaps) translation of Le Morte d'Arthur when I was nine or ten, but then my mother told me the author wrote it while in prison for raping a prepubescent girl, and I relievedly abandoned it, feeling all obligation to persevere cancelled by that.

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