er.

I just had a completely cracked out idea: Harry Potter / Star Trek fusion.

It could explain Kirk's phenomenal luck and apparent psychic sensitivity!

I can't decide if I want Kirk and Spock to meet at the hidden wizarding adjunct to Star Fleet Academy and the romance to play out there, or for just Kirk to be a wizard and Spock talented but ignorant of the magical world because of not having been living on Earth as a child, and thus getting no letter of invitation to school, or for both to be wizards trained at different schools who, observing the secrecy laws, didn't realise the truth about each other at first...

characterisation schmaracterisation

The story I've been gnawing away at for the last three days has gradually been mentally downgraded from goodishfic to decentfic to kindofbloodyridiculousfic to, finally, badfic (specific sub-variety whatthefuckwasshethinkingfic). It's a bit disappointing because it was so very pleasing at the beginning, despite early indicators of its untrustworthy quality - long, slow to develop, full of UST and reasonably good dialogue and characterisation, and pushing buttons if you like Maaaaaaagical Telepathic Bonding stories, which I do. Alas, as is so often the case, once the sexual tension was prematurely resolved characterisation went out the window, and has since picked itself up from the under-window flower beds and made its escape. I think it's somewhere in the outer solar system, or possibly even all the way outside the Milky Way by now. It might have vanished entirely from existence, in fact, especially if the dialogue being attributed with outrageous bald-faced cheek to Snape is anything to go by. ...I'm actually still kind of enjoying myself, though. I definitely can't stop reading yet. At least nobody is a vampire!

But why is it that so many people jump the gun in resolving the sexual tension? And why is it that so many people completely abandon characterisation once the UST is resolved? Is it a case of just getting carried away and forgetting that characterisation exists? Are they deluded into thinking the characterisation is good, perhaps because they've been moving away from the realistic kind only gradually (it takes longer to write a story than to read one, after all)? Are they driven insane when they start thinking about some story kink or other?