![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
There’s a narrative fandom’s been telling that, at its core, is centered around the idea that Crowley is good, and loves and cares and is nice, and always has been. Heaven and its rigid ideas of Right and Wrong is itself the bad thing. Crowley is too good for Heaven, and was punished for it, but under all the angst and pain and feelings of hurt and betrayal, he’s the best of all of them after all.
That’s a compelling story. There’s a reason we keep telling it. The conflict between kindness and Moral Authority, the idea that maybe the people in charge are the ones who’re wrong and the people they’ve rejected are both victim and hero all at once–yeah. There’s a lot there to connect with, and I wouldn’t want to take it away from anyone. But the compelling story I want, for me, is different.
I look at Crowley and I want a story about someone who absolutely has the capacity for cruelty and disseminating evil into the world. Somebody who’s actually really skilled at it, even if all he does is create opportunities, and humans themselves just keep living down to and even surpassing his expectations. Somebody who enjoys it, even. Maybe he was unfairly labeled and tossed out of heaven to begin with, but he’s embraced what he was given. He’s thrived. He is, legitimately, a bad person.
And he tries to save the world anyway.
This touches on something I was just discussing with
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
(no subject)
Date: 16 Jul 2019 06:11 pm (UTC)(no subject)
Date: 16 Jul 2019 08:37 pm (UTC)- fandom loves to woobify characters, usually the more ridiculous the better;
- woobification of morally gray or dark characters is particularly prone to including intense manpain and abuse 'showing' in the narrative how none of it was their fault (eg Loki in MCU, Methos in Highlander);
- as OP said, fandom also loves the righteous underdog who emerges from under a hail of undeserved self-righteous abuse by what turn out to be assholes and is proven to have been better and more righteous all along (like Matilda or Jane Eyre);
- and fandom loves wish-fulfillment style The Chosen One stories where the hero who emerges from trials and hardships was destined, or else turns out to secretly be the crown prince or the most noble/magic/qualified of all, like Harry Potter or Merlin or the Princess Diaries (hence all fic about how Crowley didn't do anything wrong AND God actually secretly liked him more all along and that's why he was chosen for his special mission).
There's probably also just an element of the fact that it's easier in general, and for many people more fun, to use more tropes and cliches rather than less of them.
(no subject)
Date: 16 Jul 2019 06:12 pm (UTC)I think the book underlines the importance of free will and the choice to do good more than the series, with Crowley at their last stand automatically reverting to selfishness and trying to escape before being reminded by Aziraphale that the've done enough "messing around" and need to try to save human lives. It's only then that the narration says that he finally feels free, and he chooses to make the stand. Having him rouse himself from despair in response to a threat of losing Aziraphale's company seems a slightly different sort of choice, perhaps.
(no subject)
Date: 16 Jul 2019 08:26 pm (UTC)I agree that the changed emphasis in those scenes provides a different overtone. I think the two sets of emphasis aren't incompatible - like you can interpret them as more or less about the same events, theorizing that his motivation is a mixture of concern for humanity and more personal concern for his relationship with Aziraphale in both cases - but that arises more from looking at them side-by-side than from just looking at one or the other.
Although overall, outside of that scene, the importance of free will and the fact that being good is a choice in general are thematically central.
(no subject)
Date: 16 Jul 2019 08:58 pm (UTC)Definitely free will and doing good as a choice is the important thing there, for both of them. Aziraphale has to choose action as well, and it's pretty clear that he's a fairly lazy angel, as well as idolatrous by official standards (he worships books, after all).
A really big difference, for Crowley at least, is what exactly he curses - in the show it's the Great Plan at the bandstand scene, but in the book it's everything:
"Wet and steaming, face ash-blackened, as far from cool as it was possible for him to be, on all fours in the blazing bookshop, Crowley cursed Aziraphale, and the ineffable plan, and Above and Below."
He's renounced Satan and all his works - and everyone else and their works too. He claims more and more free actions after this, even if he might not recognise the freedom until the end. (He chooses first to desert, then changes his mind to try to get to Tadfield, to drive madly across London, under the Thames, etc, decides effectively to destroy the Bentley even before reaching the M25 and so on).
Of course, he also hates anyone pointing out when he has chosen to do something good or good(ish) :-)
(no subject)
Date: 16 Jul 2019 06:35 pm (UTC)(no subject)
Date: 16 Jul 2019 07:54 pm (UTC)(no subject)
Date: 16 Jul 2019 08:21 pm (UTC)*because then you get into debating good, bad, evil, the degrees of them and the space in between, which is coming close to the core messages and themes
(no subject)
Date: 16 Jul 2019 08:32 pm (UTC)(no subject)
Date: 16 Jul 2019 08:44 pm (UTC)And also that is kind of the point I wanted to expand on myself.
(no subject)
Date: 17 Jul 2019 12:32 am (UTC)As a canon it's absolutely wonderful. Some canons are very thin and the fanon is the thing.
This canon will stand up to any amount of analysis and fanon. I love that. It's like LOTR in that aspect, only more modern and complex.
Thank you for being here.
(no subject)
Date: 16 Jul 2019 11:16 pm (UTC)(no subject)
Date: 17 Jul 2019 02:27 am (UTC)Because whether Crowley fell or sauntered (to borrow the book's own metaphor), at the time we meet him he's a demon. He is the kind of person who makes thousands of people's lives miserable on purpose, with sustained effort and personal involvement, and is proud of the result.
Working with that, not against it, can make characterisation more interesting.
(no subject)
Date: 17 Jul 2019 05:55 pm (UTC)Meanwhile, Aziraphale's plan for averting the Apocalypse was murdering an 11-year-old boy with a really big gun. Which would probably have only made Adam a bit angry, but still. Dude. No.
(no subject)
Date: 17 Jul 2019 07:10 pm (UTC)(no subject)
Date: 17 Jul 2019 07:19 pm (UTC)(My lawn actually has an amazing bit of public kid art, where they walk home from school and put their gum on it. All colors. It's a bit like one of those wishing trees people hammer coins into.)
(no subject)
Date: 18 Jul 2019 09:07 am (UTC)I don't think they do Trapper Keepers anymore - that was my generation - and Beanie Babies - that was my little sister's. My niece was into these creepy dolls made by the beanie baby company a few years ago - I found out later it was the same company - where the head is the same size as the body and they have giant eyes.
(no subject)
Date: 18 Jul 2019 05:32 pm (UTC)It...it doesn't literally walk. That's just an expression.
(no subject)
Date: 19 Jul 2019 02:12 am (UTC)Not to mention slap bracelets, pogs, those teensy purses in the shape of backpacks...
Beanie Babies and Tamagatchi came along a bit later, but I find the present-day Beanie Babies to be downright terrifying.
(no subject)
Date: 19 Jul 2019 02:10 am (UTC)And yes, Aziraphale when it came down to the wire was willing to commit murder in the name of a Greater Good - not the Greater Good endorsed by his superiors, i.e. the end of the world, but no different in (heh) valuing the end above the means. The whole point is that they're both less pure [good/evil] than they think they are! An "X did nothing wrong" attitude practically misses the whole point of the characters AND the narrative.
though as Death would point out, they were just beating the rush.
Snerk! And this reminds me of Crowley sacrificing his beloved Bentley in the name of averting the apocalypse, which is also appropriate to the whole "nobody is a sweet harmless fluffbunny and nobody is an irredeemable villainous blackguard" message, too.